Greetings, Parish Orban's RetroGraints.

Today I come to you live with a critique and a series of review comments on the Netflix documentary,

The Disappearance of Immanuela Orlandi, which turns out to be an important thing for us Catholics,

particularly us red-pilled Catholics.

And it's not something I knew about even before beginning to view the four-part documentary.

It has much to do with Pato S-A-T-A-N-I-N-I-M.

It has to do with how the Vatican has operated over the last 60 years.

And yet, it has to do with vegan-o and exorcism, the takeover of the Vatican by bad guys that is probable.

And yet, Netflix doesn't commit to this view.

So, so how does this work?

Netflix puts out this documentary series, four-part series, and claims that it's like a hit piece or claims a posture as if they're doing a hit piece on Roman Catholics, believing Roman Catholics.

Well, it's only a hit piece on blue-pilled believing Roman Catholics because

really it ends up being a very certain kind of propaganda. And so before I can get into any

equipoise of review or critique on disappearance of Emmanuel Orlandi specifically, we need to talk about propaganda.

And this is timely because I've been meaning to do a propaganda show for a long time.

But suffice to say right now at the beginning of today's show that this is the third, by my count,

Netflix documentary that deals with this Pato S, Pato S, Pato S-A-T-A-N-I-N-I-N topic, by reducing it to far more

boring everyday banalities while claiming the mantle of expose, which is a tricky trick, and it's part of how

propaganda works. And we'll talk about the different kinds of propaganda today before we get to

the disappearance of Immanuel Orlandi. But for starters, I just want to say that this has come out.

Same topic ought to be what's really behind the curtain in two other Netflix documentaries I've watched since 2019.

The first one was this documentary about Madeline McCann.

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