The children of the night are calling on their see-through phones wearing their jelly shoes.

The point is, they are calling, and that this is junk food cinema.

Hi, this is Dick Miller.

You're listening to Junk Food Cinema on Film School Rejects.

Who are these guys?

Yeah. Welcome to another wonderful episode of junk food cinema here on Film School Rejects,

our weekly cults and exploitation film podcast that sinks its teeth into everything except irony.

We don't truck with iron.

Irony is kind of like our garlic.

We just, we don't respond very well to it.

It's, it's our crucifix.

It is. It is our crucifix.

People hold up irony.

It's like, no.

No.

But this is Brian Salisbury, and I was the writer of the column back when it was in its paper version.

And now it's cyber paper version.

And now we're, now we just, we just sit around and shoot the breeze about our favorite cult and exploitation films.

And by we, I of course mean myself and my partner, my co-pilot, screenwriter, novelist, Mr.

C. Robert Cargill.

Yeah.

Yes, acknowledged.

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