Hey, it's Alan, and I just wanted to let you know that you can now listen to the ongoing history of new music early and ad-free on Amazon music, included with Prime.

When you sit down with Ash Boo Schultz and Jay the Human Kabob Parsons of USS, you end up having a conversation like this.

You're not really sure how you arrived at this place, but there you are.

Now that I reflect back, it was like half music, half, like I would have like 10 plants on stage

with me, which I called the chlorophyll harmonic. And I'd have put set microphones up in front of them.

And there'd be like plant solos and stuff and I'm sorry I don't mean to laugh but I mean this is just so unique no so

and then it was just like I just I was I was just so interested in the whole idea of of neuroplasticity and the whole idea of of of rewind like just

disrupting you know disrupting the brain and so it's like I would have a stereo with a cassette of like

how to heal your inner child and on this one I'd have um uh like you're just another victim by helmet and house of pain

from the Judgmentite soundtrack and I'd hit play on both of them

and just sit down on the stage and then just hold them beside my head

and just look at everybody in the eye in the crowd

and just let it be uncomfortable

oh yeah there's more of that coming up.

This is part two of USS in their own words.

This is the ongoing history of new music podcast with Alan Cross.

Hi, I'm Alan Cross and I hope you're ready for an interesting interview with Ash and Jay from USS.

This is another one of those occasional in their own words profiles, where I just let the artist

tell their stories in whatever fashion they choose. And if you listen to Part 1, and as you heard in the

opening, this talk with USS is in no way, anyway, ordinary.

So just open your mind, sit back, and take it all in.

Fear is always to get out of listen and shivers through my heart.

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