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| 0:00.0 | You are a human animal. |
| 0:10.6 | You are a very special breed, |
| 0:14.5 | or you are the only animal. |
| 0:17.9 | Who can think, who can reason, who can read. |
| 0:20.9 | Hi, this is Michael Silverblad, and welcome to Bookworm. |
| 0:24.7 | Today, my guest, I'm happy to say, is Ursula K. Le Guin, whose book, Searroad, has been |
| 0:30.5 | recently published by Harbor Collins. Now, the publisher has made a point of saying that this is your first mainstream book, but |
| 0:43.3 | I can't imagine what that means. |
| 0:45.4 | Can you tell me? |
| 0:46.4 | Well, there is this thing called genre, which, you know, it's so horrible. |
| 0:55.2 | We don't even have an English word for it, right? |
| 0:58.7 | I have to do unpronounceable French. |
| 1:02.0 | And if you write in one of the genres, of course, you get typecast. |
| 1:07.1 | And I have managed to typecast myself as a science fiction writer and a fantasy writer and a children's book writer. |
| 1:14.6 | Anything else? |
| 1:17.6 | I guess that about coverage it. |
| 1:19.6 | So it's really hard for people to just introduce me as a writer. |
| 1:25.6 | And it seems to worry the publisher more than it does me or the readers. |
| 1:30.8 | Uh-huh. |
| 1:31.6 | It seemed to me. |
| 1:32.8 | Now, the subtitle of this book is Chronicles of Cotsand, which would begin to suggest, as I would like to in the course of this interview, that this book, in its own way, is science fiction. |
| 1:46.4 | Yeah, I'll be interested in hearing your theory. |
... |
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