Summary
Bodies in Motion and at Rest (Norton)
As a result of his two professions (poet and funeral director), Thomas Lynch has an unusual attitude toward tradition, decorum and memory...
Transcript
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:08.1 | You are a human animal. |
| 0:12.3 | You are a very special breed. |
| 0:16.2 | Or you are the only animal. |
| 0:19.6 | Who can think, who can reason, who can read. |
| 0:23.4 | Hello, and welcome to Bookworm. |
| 0:25.7 | I'm Michael Silverblad, and today my guest is Thomas Lynch. |
| 0:29.0 | His most recent book is a book of essays called Bodies in Motion and at Rest on Metaphor and Mortality. |
| 0:36.6 | He's the author as well of three books of poems, |
| 0:40.4 | one the most recent Still Life in Milford, |
| 0:44.0 | Gray Malkin, and Skating with Heather Grace. |
| 0:47.7 | That was his first book. |
| 0:49.4 | His book, The Undertaking Life Studies from the Dismal Trade, was a finalist for the National Book Award. |
| 0:57.6 | Now, although Mr. Lynch is becoming known as an undertaker and funeral director, as a writer, he is a poet and an essayist, and I thought it would be very |
| 1:13.7 | interesting for us to begin this show by hearing one of his early poems and an explanation |
| 1:23.5 | of how he came to write it from the most recent book, Bodies in Motion and at Rest. |
| 1:30.2 | The poem, which you're about to hear, is Venice. |
| 1:33.7 | It's from Skating with Heather Graiths, and it's my guest, Thomas Lynch. |
| 1:40.1 | Thank you, Michael. |
| 1:42.4 | Venice. |
| 1:44.5 | My wife undressing in the moonlight, sleeve by sleeve. |
| 1:49.0 | Late duty with our croupy middle sun, she got to breathe by coaxing medicine and vaporub |
... |
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