Previously on keep the dream alive as the studio got culty it just was permanently booked

It was like somewhere on 450 days in a row sold out at that time San Francisco still had some weight as like a cultural center

I do think recent years in San Francisco crossed a new kind of line

I watched countless artists leave this city and I watched the fragile

scenario in which artists stay in San Francisco and make their things become impossible

Tiny telephone made you feel like you were hanging out in a room and that everyone was behind you and

You were making music the way people love to make music

My general feeling was that the bigger the band the more of a pain in the ass they are third

I blind asked me for four months of studio time when I was like man

I don't know about this fucking crew. So he sits next to me and he says what are we gonna do about this rate?

And then he turns around and he walks out of the room most bands want to come down to it are

remarkably conservative and remarkably fearful to really

Use the studio as an instrument the only way it would work is if I had my own studio and I could go there after hours

When you're in a recording class that is 95% male everyone thinks you're the dumbest one in the room

But I have felt that other studios definitely people who tore a lot

They're often you know, they're often emotionally damaged people. I met someone to his fascinating

I really fucking like this person and I ask her

nervously if she wants to kiss me in France. There's a maxim that if you kiss on the steps of a church

Then that means you're gonna get married and so that's what we did

We got married and she's was like is this a mistake and I was honestly said I have no fucking idea

Keep the dream alive

Keep the dream alive

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