4.6 • 676 Ratings
🗓️ 26 May 2008
⏱️ 29 minutes
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0:00.0 | From KCRW in Santa Monica, I'm Claude Browdessa Ackner, and this is The Business. |
0:04.7 | So you still want to do the show business, and you think that you got what it takes. |
0:09.5 | I mean, you really got a rap and be all at. |
0:11.9 | But prepare yourself for the brakes, check it out. |
0:14.4 | This week on the business, television's upfronts become the unfronts. |
0:19.2 | Then the price of corn is at a record high, and so is the cost of everything else that goes into your popcorn tub, including the tub. |
0:26.7 | Get ready for concession stand, sticker shock. |
0:30.1 | Plus, why is popcorn the official snack of Hollywood anyway? |
0:34.0 | But first, it's the Hollywood News Caravan. |
0:36.7 | Go nowhere, it's the business from NPR. |
0:39.3 | Long thought of as a less respected hydrox to SAG's Oreo, |
0:52.3 | AFRA is proving itself to be one tough cookie in negotiations with Hollywood's |
0:56.8 | producers. This should be both heartening to actors and discouraging for anyone who's worried about |
1:03.0 | an actor's strike. You see, instead of caving and making an early deal as many, including |
1:07.9 | yours truly predicted, AFRWA joined the Screen Actors Guild last week |
1:11.7 | in holding firm on a key point. They're both demanding that actors grant their permission |
1:16.7 | before clips of their work may be used online. And that's even before they get to the issue |
1:22.1 | of how people should be paid for those clips. In a classic labor negotiation, Catch-22, the studios have told SAG and AFRA that the only |
1:30.3 | way actors can get any control over their clips, or make any cash from them, is by giving up |
1:36.2 | control. Producers counteractors' objections by saying, A, permission, your clips are already |
1:43.2 | pirated all over the web. |
1:45.2 | And two, getting permission from everyone in a clip would be a nightmare. |
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