Tonys Actress Roundtable - Denée Benton, Christine Ebersole, Jennifer Ehle, Sally Field & Laura Linney
Awards Chatter
Scott Feinberg
4.7 • 1.6K Ratings
🗓️ 2 June 2017
⏱️ 46 minutes
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| 0:43.2 | Hi everyone and thank you for tuning in to episode 147 of Awards Chatter, the Hollywood Reporters Awards podcast. I'm the host Scott Feinberg and this very special episode, |
| 0:48.1 | a roundtable conversation with five actresses who are nominated for a Tony this year, |
| 0:52.9 | is brought to you by the iconic Empire Hotel |
| 0:55.5 | on New York's Upper West Side. I should note that the Tony's Broadway's biggest night will air |
| 1:01.5 | nationwide on June 11th on CBS. Our guests today are Deney Benton, who's playing Natasha, a 19-year-old |
| 1:09.6 | countess engaged to one man but then ensnared by another in 1812, |
| 1:14.4 | in the musical Natasha, Pierre, and the Great Comet of 1812. |
| 1:18.5 | Christine Ebersole, who's playing Elizabeth Arden, a cosmetics pioneer and independent businesswoman in mid-20th century America, |
| 1:25.7 | in the musical Warpaint. |
| 1:31.9 | Jennifer Ely, who's playing Mona Jewel, a level-headed official in Norway's foreign ministry, |
| 1:39.3 | who helps the broker landmark advances towards peace in the Middle East between 1992 and 1993 in the play Oslo. |
| 2:02.8 | Sally Field, who until May 21st, was playing Amanda Wingfield, a former Southern Bell now raising her two children under trying circumstances in 1937 St. Louis, in the play The Glass Menagerie, and Laura Linney, who's playing Regina, a calculating woman from a complicated family in 1900 Alabama, and on other days, Bertie, a sweet and wounded woman from the same family, in the play The Little Foxes. |
| 2:05.6 | Thank you all so much for sharing your off day with us. |
| 2:09.1 | I know it's very valuable. |
| 2:10.7 | So to begin with, I just want to ask about how you came to these particular roles. |
| 2:17.3 | And in Laura's case, it is roles. You're playing |
| 2:20.3 | two different characters here. You know, they're really, I think it's fair to say, totally |
| 2:24.2 | opposite types of people. How did you and Cynthia Nixon arrive at this arrangement where, I guess, |
| 2:30.0 | every other performance you trade off? Well, Manhattan Theater Club had approached me about doing The Little Foxes, |
| 2:36.2 | and I, you know, it's one of those plays that you think you know, |
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