To Be by Ahmed Asi (audio)
Clarkesworld Magazine
Clarkesworld Magazine
4.7 • 1.2K Ratings
🗓️ 25 July 2022
⏱️ 26 minutes
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| 0:00.0 | If you ever want to drop a line, you can go to the About Us page over at the Clark's World |
| 0:25.8 | magazine website and has our email addresses there. Let me know how you're |
| 0:30.7 | listening. How long you've been a listener? Why you listen? We'd love to get |
| 0:36.4 | that feedback from our audience and it helps us propel us forward to bring you |
| 0:41.4 | these wonderful stories each and every month. As always, thank you for |
| 0:44.9 | taking the time to subscribe to the magazine or to show your support on |
| 0:50.8 | patreon.com for his Lash Clark's World. Our story today is titled To Be and is |
| 0:57.9 | by Ahmed Asi. Ahmed Asi is a PhD candidate at UC Santa Barbara where he studies |
| 1:06.2 | role-playing games as community-based performance. He holds degrees in |
| 1:09.3 | theater and dance and a diploma in classical acting. When he isn't all but |
| 1:13.9 | disartating or teaching, he can be found sketching and experimenting with |
| 1:18.1 | writing fiction. This is his first published story. So welcome in, Ahmed. And to |
| 1:26.1 | you, dear listener, help you can sit back, relax, and let me tell you a story. |
| 1:33.8 | Rasa steps downstage using the warmth of the lights on his synthetic skin |
| 1:39.2 | to find a spot. Waiting in the wings, he had tuned his M-bodd units still |
| 1:44.1 | unfamiliar receptors for this moment. Turned up touch until light and shadow |
| 1:48.9 | were tactile pools of warmth and cool. Turned down sound as Eric exited stage |
| 1:54.9 | left, leaving the empty space solemn, softened. The video feed from his visual |
| 2:00.9 | receptors was out of focus even as he stepped to the edge of the stage. He had |
| 2:05.8 | always found it easier to act when the audience was a blur. He would perform |
| 2:10.2 | without his spectacles, without the smart lenses most of their ensemble war. |
| 2:14.2 | Now he calibrated the visual feedback in his M-bodd to recreate the same |
... |
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