If there's a painting that's caught your attention that it's stopped you, you're interested, you know, you're looking at it, you want to know, and then you go to that little plaque at the side, you want more, you're at that stage where you want more information is always a

bit disappointing if the title just says untitled one X or something I I was just going to think, oh, come on.

Hello and

and welcome to Art Juice. This is honest, generous and humorous

conversations that will feed your creative soul and get you thinking with me

Alice Sheridan and me Louise Fletcher. I nearly forgot my name there so this is going to be a really good episode.

This is episode 95 and we are going to be talking all the things finishing,

titling, finishing, framing,

presenting, packaging, we're going to cram it all in.

So I hope that this is going to give you a lot to think about,

and hopefully some ideas of things that perhaps you haven't considered but first of all let me know

How has your week been since we last spoke?

It's been a good week. It's been a super busy week.

When I with my membership group I always do something new each month and so when I get to the end of a month and

preparing content for them for the coming month. So I always forget that that's a lot more than I think it is.

Yeah. It's been busy and I'm also trying to do a little bit of writing every day.

I think I've set myself too many things.

I'm trying to do a little bit of writing every day on my book idea.

I'm trying to learn in design so that I can put together at least a rough proof of it to show

somebody and I'm trying to make sure I get in a studio time in so I've been busy but I've been working on

four large paintings and in my new way and last week you asked me what's

different about the way I'm painting and you do this you

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