Good evening. You are listening to Three Moves Ahead, and I am your host for the day, Troy Goodfellow.

Joining me today is a regular panelist and Master of the War Games for a good friend, Dr. Bruce Garrick. How are you, Bruce?

Hello gamers.

Never stop sending a share up by Spines.

Mm-hmm. Spines.

And joining us today is an old friend who I'm glad to finally have on the show.

He's had a long career in the industry in design, production, development, and war games

are one of his special little hobbies. A old friend Rod Humble, Rod, development, and war games are one of his special little hobbies.

A old friend Rod Humble, Rod, glad we could finally get you on the show.

Thank you so much.

Glad to be here.

Today we're going to talk about a new war game from VR designs, published by Slytherin Matrix,

as are so many war games these days. They're kind of number

one people out there. And this is decisive campaigns, Barbarossa. This is a game about,

yet another game about the Nazi invasion of the Soviet Union.

And it has a few interesting things going forward that we think,

raise it above, that's separated, I guess, from many other games that deal with this period.

And I hope we can talk a little bit about the implications of some of its design decisions.

So, Rod, let's start with you, since you're the guest.

As you were playing through decisive campaigns, Barbarossa,

can you explain what separates it, what the USP, the unique sales properties, are for this game.

Yeah, I think that one of the unique properties is that it does give you a role.

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