Three Moves Ahead 262: A Thousand Shards of Light
Three Moves Ahead
Idle Thumbs
4.8 • 532 Ratings
🗓️ 28 May 2014
⏱️ 60 minutes
🧾️ Download transcript
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Transcript
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| 0:00.0 | Good evening. You are listening to Three Moves Ahead, and I'm your host, Rob Zakeney. |
| 0:03.4 | Joining me tonight, we have freelance writer Rowan Kaiser. |
| 0:06.2 | Rowan, welcome to the show. That's nice to be back. We also welcome back, freelance writer, Kat Bailey. Kat, good to have you back. No longer freelance writer. I'm an editor over at US Gamer now. Oh, God, when did that happen? I'm sorry. That happened a couple weeks ago, but thank you very much, though. |
| 0:23.8 | Again, I feel like very much, though. |
| 0:23.8 | I feel like a piece of shit now. |
| 0:25.9 | Congrats on the gig. |
| 0:27.4 | It's okay. Like, not everybody knows. |
| 0:30.2 | And finally, we welcome back our old friend Jason Wilson, managing editor of Games Beat over at Venture Beat. |
| 0:36.4 | Hi! |
| 0:37.4 | Hi, Jason. |
| 0:38.9 | Sorry, I've had lots of caffeine. |
| 0:41.5 | Rowan just asked a question about the curious ritual we have on Throes' Head of clapping in. |
| 0:47.4 | For our producer, we used to do a count-in, and then everyone would clap, and there's always |
| 0:51.6 | mass confusion, and it was the sort of Keystone C cops pre-show ritual we had that never quite worked. |
| 0:57.4 | And I think our producer finally got exasperated enough that he was just like, you know what, stop it. |
| 1:03.0 | Just don't do the count it anymore. |
| 1:05.0 | Just start the show, start talking, all deal with it. |
| 1:08.0 | I think he got tired of hearing me explain what we were trying to do every |
| 1:11.8 | episode. So, no, we no longer do some of our more curious pre-show rituals. But the tequila shots |
| 1:19.7 | are all okay. Yes, they are actually encouraged. If you've got some mescal, that's just perfect. |
| 1:27.0 | So anyway, today we're taking a look at Warlock to the Exiled, which is a sequel to |
| 1:31.7 | Warlock Master of the Arcane. |
... |
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