Guys, I'm meeting junk and watching rubbish.

You better come out and stop me.

All right. This is Dick Miller.

If you're listening to Junk Food Cinema, who were these guys? Welcome, junkie-ons. You've just drilled down into a crazy good new episode of junk food cinema, brought to you by FilmSchool Reacks.com. Dot com. Dot.

It takes a lot of love to do a show like this.

This is, of course, the weekly cult and exploitation film cast so good.

It just has to be fattening.

I am your host, Brian Salisbury, and I'm joined as per usual by my friend and co-host.

He's a novelist. He's a screenwriter, a lieutenant of Megaforce, the guy who always brings the beer to the slumber party, Mr. C. Robert Cargill.

Hi. How's it going, sir? It's going great. We've got a special guest tonight, and I'm very

excited. We have a very special guest today. It's rare that we get to talk about the movies we love

from a bygone era and talk to somebody who has firsthand knowledge of exactly, you know, what that sort of cult experience is like and what that cult love is like.

And I'm really, really happy that today we're going to be talking about an entire franchise and we get to speak to a filmmaker who has actually gotten to dabble.

Oh my God.

I'm so excited.

I'm so excited that I almost forgot to do the housekeeping.

I'm going to do a real quick version.

If you like what you hear, you can find our entire back catalog wherever you cram podcasts

in your earholes.

You can also follow us on all the social medias at junk food cinema.

And if you really like the show.

I mean, you really like the show. I mean, you really like the show. If you like it as much as

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