The Scole Experiment Part 3: Endgame
Astonishing Legends
Scott Philbrook
4.6 • 10K Ratings
🗓️ 22 February 2026
⏱️ 121 minutes
🧾️ Download transcript
Summary
In the final chapter of our Scole series, the story stops looking like a séance and starts feeling like science fiction. What began with classic Spiritualist phenomena — messages from the dead and movement in the dark—escalates into self-developing film, unexplained voices on sealed recorders, and a crystal device built for two-way contact. Then a black-eyed, Grey-like figure appears on video, and the entities claim to be inter-dimensional beings and time travelers. With ominous warnings and a sudden end to the experiment, we’re left with the question: did they prove life after death… or open something they couldn’t control?
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Transcript
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| 0:00.0 | Thank you. |
| 0:01.0 | Astonishing Legends Network. |
| 0:04.0 | Thanks to our sponsors and Patreon supporters, Astonishing Legends is free to listen to. |
| 0:10.0 | We appreciate your support of them and us. |
| 0:13.0 | If you've been with us for the first two parts of this series, you might think you know the shape of it, that you've seen or heard it before. |
| 0:24.4 | It's a ghost story about a cellar in a small village known as Skoll in the UK. |
| 0:29.4 | The players are familiar. |
| 0:31.5 | A group of earnest paranormal researchers and the skeptical scientists who tried to respectfully |
| 0:37.3 | debunk what they were doing. |
| 0:39.4 | It fits comfortably on the shelf next to the Fox Sisters or infamous medium-D-D-home, |
| 0:45.8 | both of which we hope to cover soon, or even the story of the Bell Witch, which we did cover |
| 0:51.3 | with an extensive series in October of 2017. |
| 0:55.0 | It has all of the familiar elements of spiritualism, |
| 0:59.0 | the levitating trumpets, the touches in the dark, the messages of love and life |
| 1:04.0 | from whatever it is we think constitutes the afterlife. |
| 1:08.0 | But as the Skoll experiment moved into its final year, the shape of the story |
| 1:13.2 | began to warp. The furniture stopped moving, and the machinery turned on. The messages stopped |
| 1:20.5 | coming from deceased relatives and started coming from something that sounded more like tech |
| 1:25.1 | support from a different reality altogether. |
| 1:28.5 | By 1998, the Skull Group had done the impossible. They'd produced film that developed itself |
| 1:35.2 | in locked boxes. They'd recorded voices on tape decks with no microphones. They'd even built |
| 1:42.2 | a receiver out of germanium crystal that allowed for two-way communication with the other side. |
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