A wise man once said in this world, nothing can be certain except death taxes and your boy Johnny Bananas.

Welcome to the brand new Death Taxes and Bananas channel where we'll be recapping season 41 of the challenge every week with all your favorite cast members.

I'm going to dive deep into the drama, get every side of every story, and tell stories about behind the scenes on set

antics. So, follow Death Taxes and Bananas on Spotify, where you can watch every episode

or subscribe to YouTube.com at Death Taxes, Bananas on YouTube.

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It is Wednesday, October 1st. For decades, it's been the dream of wannabe screenwriters. Write your script, somehow get it into the hands of a studio executive in Hollywood. They buy it and turn it into a hit movie. In the business, they're called spec scripts, short for speculative, meaning nobody pays you to write it. You do it on your own and hope someone buys it. Lately, there hasn't been a lot of hope in the spec market, though.

Back in the heyday of original movies, studios would buy dozens of scripts every year and

develop them in-house, attach actors, directors, all on the path to an eventual green light.

But over the past decade or so, that process has changed for all the reasons we talk about

on the show.

IP-driven movies are the priority at most studios.

And the studios and streamers have gravitated towards fully formed packages.

That's where a producer or an agency will gather all the elements of a movie together,

star, filmmakers, script, producers, then sell the whole thing fully formed to a buyer.

But lately, I've noticed a shift happening. These buyers are kind of moving away from package deals and starting to favor

spec scripts without talent attached. Craig, take notice. There may be interest in your Steph Curry

...