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Radio Atlantic

The Post-Strike Future of Hollywood

Radio Atlantic

The Atlantic

News, Society & Culture, Politics

4.32.3K Ratings

🗓️ 16 November 2023

⏱️ 29 minutes

🧾️ Download transcript

Summary

Hollywood is getting back on its feet now that the Screen Actors Guild and Writers Guild of America strikes are over. But they've revealed that, once again, Hollywood is going through an identity crisis. The streaming revolution is looking untenable. Many studios are losing money and viewers are overwhelmed. What were the hard truths revealed by the strike? And what will the next year of entertainment look like? Hanna Rosin talks with Atlantic writers David Sims and Shirley Li about the coming realignment in Hollywood and what we should all expect. Want to share unlimited access to The Atlantic with your loved ones? Give a gift today at theatlantic.com/podgift. For a limited time, select new subscriptions will come with the bold Atlantic tote bag as a free holiday bonus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hollywood studios and striking actors reached a deal late on Wednesday, all but ending one of the longest labor crises in the history of the

0:13.8

entertainment industry. The Union says the contract includes bonuses for

0:17.9

streaming as well as AI protections. Everybody is ecstatic and excited. This is what the union leaders are describing as historic as extraordinary.

0:26.7

I'm Hannah Rosen. This is Radio Atlantic.

0:30.6

Last week, the union representing Hollywood actors ended a month's long strike.

0:36.2

By all accounts, it was a complete victory for the actors, just as it was for striking Hollywood

0:41.9

writers weeks earlier.

0:44.0

Both SAG, that's the Screen Acters Guild and the WGA, Writers Guild of America,

0:50.0

got a lot of what they were asking for, especially more pay for screaming and protections from AI.

0:55.9

This was the first dual strike in Hollywood in over 60 years.

1:05.0

And historically, these big strikes tend to come at moments of major change in the

1:10.8

entertainment industry. In the 50s and 60s it was TV sets. In the 80s, video

1:17.4

cassettes and pay TV and then in the 2000s downloads of shows and movies. In each of these cases actors or

1:25.8

writers went on strike to earn their fair share. And now the big transition is

1:30.9

streaming. Netflix created this new model, movie studios and TV network scramble to replicate it,

1:38.0

and the streaming wars created an absurd amount of new shows.

1:42.0

But the writers and actors making them often earned far less

1:46.2

than they did in traditional distribution models. Now what does this mean for us, the viewers?

1:53.7

It means that the way we've gotten used

1:55.9

to being entertained, these infinite possibilities

1:59.4

on an ever increasing number of streaming services, that has got to change.

2:05.8

Because it doesn't work for the writers,

...

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