The Post-Strike Future of Hollywood
Radio Atlantic
The Atlantic
4.3 • 2.3K Ratings
🗓️ 16 November 2023
⏱️ 29 minutes
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| 0:00.0 | Hollywood studios and striking actors reached a deal late on Wednesday, all but ending one of the longest labor crises in the history of the |
| 0:13.8 | entertainment industry. The Union says the contract includes bonuses for |
| 0:17.9 | streaming as well as AI protections. Everybody is ecstatic and excited. This is what the union leaders are describing as historic as extraordinary. |
| 0:26.7 | I'm Hannah Rosen. This is Radio Atlantic. |
| 0:30.6 | Last week, the union representing Hollywood actors ended a month's long strike. |
| 0:36.2 | By all accounts, it was a complete victory for the actors, just as it was for striking Hollywood |
| 0:41.9 | writers weeks earlier. |
| 0:44.0 | Both SAG, that's the Screen Acters Guild and the WGA, Writers Guild of America, |
| 0:50.0 | got a lot of what they were asking for, especially more pay for screaming and protections from AI. |
| 0:55.9 | This was the first dual strike in Hollywood in over 60 years. |
| 1:05.0 | And historically, these big strikes tend to come at moments of major change in the |
| 1:10.8 | entertainment industry. In the 50s and 60s it was TV sets. In the 80s, video |
| 1:17.4 | cassettes and pay TV and then in the 2000s downloads of shows and movies. In each of these cases actors or |
| 1:25.8 | writers went on strike to earn their fair share. And now the big transition is |
| 1:30.9 | streaming. Netflix created this new model, movie studios and TV network scramble to replicate it, |
| 1:38.0 | and the streaming wars created an absurd amount of new shows. |
| 1:42.0 | But the writers and actors making them often earned far less |
| 1:46.2 | than they did in traditional distribution models. Now what does this mean for us, the viewers? |
| 1:53.7 | It means that the way we've gotten used |
| 1:55.9 | to being entertained, these infinite possibilities |
| 1:59.4 | on an ever increasing number of streaming services, that has got to change. |
| 2:05.8 | Because it doesn't work for the writers, |
... |
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