Hello and Oscar goes to and I can't deny the fact that you like me right now you like me

I'm the King of the world there's a mistake moon, you guys won best picture. I'm here in Los Angeles in one room with three other people I'm Katie Ritz and

deputy editor of Vanity Fair.com and next to me is our digital director, Mike Hogan.

Hey Katie.

Then over there is our Tina writer Durrana Robinson.

Hi Katie.

And sitting right next to her is our chief critic Richard Lawson.

Parisite won.

I want this picture.

spoiler.

And come in the next room is Mark Sallager who's coming to take our work.

This is really fun.

We're doing this like, we've never done this post-Oscor thing all in one room.

It feels weird that I'm projecting into a

microphone looking at you guys honestly. But hey Richard Pierce, I won this

picture. Yeah, yeah, I wrote a review of the show that I mostly kind of

prewrote during the broadcast and then was walking up to the party and then like I got to the party in parasite one best picture and I immediately had to email an editor in New York and be like, change the review.

It's not a boring show actually.

Yeah.

I mean, and the funny thing about it is like every time

the Oscars almost convinces you like,

nah, we're done, we're boring, we're stayed,

...