The Opening Ceremony of the Paris Olympics
Breakpoint
Colson Center
4.8 • 2.8K Ratings
🗓️ 30 July 2024
⏱️ 7 minutes
🧾️ Download transcript
Summary
A truncated history of France gives a warped view of freedom.
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Transcript
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| 0:00.0 | What kind of a breakpoint, a daily look and an ever-changing culture through the lens of |
| 0:04.4 | unchanging truth? |
| 0:05.4 | For the Colson Center, I'm John Stone Street. |
| 0:07.1 | While the Christians can use the term satanic too often, it is appropriate in some cases. Some of us |
| 0:15.2 | remember, for example, back masking a Christian youth group phenomenon from the |
| 0:19.1 | 80s when vinyl records were said to deliver satanic messages when played backward. |
| 0:24.2 | If this were indeed a device of the enemy, the messages were nearly impossible to understand, and |
| 0:28.7 | the whole plot was quickly foiled by the innovation of cassette tapes. |
| 0:32.4 | And of course, the lyrics of plenty of those |
| 0:34.4 | songs were bad enough when played forward. |
| 0:36.7 | Satanic however is an accurate word for the opening ceremonies of the 2024 Olympics |
| 0:41.6 | staged as a journey through French history and culture down the river. of the appropriate word for what the performance celebrated. In fact, celebrating |
| 0:54.0 | transgression and perversion was the point. Even more, this was a celebration |
| 0:58.9 | of desecration, which included mocking the sacred. It was an example of what sociologist Philip Reef has called a death work, |
| 1:06.5 | only this one was broadcast across the entire world. |
| 1:09.5 | Of course the mockery and the derision was aimed specifically at Christianity and not any other religion. the |
| 1:13.0 | most derision was aimed specifically at Christianity and not any other religion, |
| 1:15.0 | certainly not Islam. |
| 1:16.0 | After all, even the most secular French artist is aware that if their artistic license |
| 1:20.0 | had taken up the topic of the Quran or the prophet Muhammad, |
| 1:24.4 | Paris would already be in flames. |
| 1:26.5 | Still, there's more to the visual choices made by Thomas Jolly, |
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