Well, welcome to Imran, here man, this is my pastor, that's me, folks,

humans, welcome to another musical improv for humans, first let me introduce the

non-musical elements, the improv elements, element number one, Mary Holland,

welcome to the show, Matt Newell, welcome back to the show,

Seth Morris, welcome back, you're three of my favorite improv elements. I'm gonna

go back and make sure that you don't say that to everybody. You know, I do, I do

in some way or another, say it, but let's be honest, I'll invite like 30

improvisers on this show, so it must be, it must be true, but humans, you also know

that I don't just have a random musical guess on this show and I do get random

guess pushed on me and I say, no, thank you, I want guys that I am a fan of, like the

Mill Carton Kids, Kenneth, Joey, welcome to the show. Thank you. Hello, are we the

musical elements? Yes, you are, you're the musical source of inspiration, you're a

source. Is elements like a specific noun to the improv world? No, I just made that

out, that's why I was hyping on it so much, coming out of my own mouth. This is the

first episode that I've said that the people as elements. Yeah, we do have a lot of

improv lingo, but elements is not one of them, but you know, that's how lingo starts. You

say something, it sounds a little off and you go, you know what, I want to commit to

that and keep saying that. Right. And if people respect you, they start saying it too.

And then it's in a book. UCB improv comedy manual folks, $25 on Amazon. That's not what

we're doing here. We are going to be listening to some songs by the Mill Carton Kids, and

then doing some improv based on those songs. And what was the one we were going to start

with? Memoirs of an own dog. Okay, let's listen. Yeah.

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