So, today on our podcast we continue our story of Disney legend Mary Blair.

We're at the point where Mary is expanding her artistic skills while working in publishing,

advertising, designing shop windows, designing sets for stage plays, and even designing a line of

clothes for an established fashion brand.

Most artists, once they leave the Disney studio,

tend to fall away from Walt's social circle.

There's only a few exceptions to this, such as Herb Ryman and, of course, Mary Blair.

During the 1950s and early 1960s,

no artist not presently employed by Disney, was closer to Walt than Mary. They had a unique relationship in which Walt not only admired the work

she did for the studio, but also the work she produced for other companies. But one of the difficulties in this arrangement was her husband Lee,

who by this point struggled with his choice to become a business owner

rather than continuing to be an artist,

and because of this, he often needed the approval of other people

in terms of his abilities and

career decisions, including somewhat oddly from Walt himself.

But we'll get to more on that in a moment.

But before we launch into today's installment, I need to thank another round of Bandcamp

subscribers.

These here are the people who keep this whole enterprise running. I'm grateful to each and every Band Camp subscriber because without them, this podcast would

literally cease to exist.

But going out today is a special note of thanks to a few new

subscribers. These include Aaron, Bruce the Shark, J, Bicostal Jen, and Swim ATM. Thanks to you and to all of our subscribers for keeping this podcast going,

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