4.6 • 676 Ratings
🗓️ 30 August 2024
⏱️ 29 minutes
🧾️ Download transcript
Kim Masters and Matt Belloni banter about the summer box office, noting that it started with a whimper but is ending with a bang thanks to a sequel and two superheroes. Edgar Bronfman Jr. has withdrawn his bid for Paramount, and as the Venice Film Festival kicks off, Italy's increasingly right-wing government is courting Hollywood productions.
Additionally, Meg LeFauve and Dave Holstein, the writers of the Pixar megahit Inside Out 2, join Kim Masters to discuss the importance of putting animated movies in theaters instead of only on streaming platforms — as former Disney CEO Bob Chapek did during his tenure. They also address whether the culture at Pixar has changed since John Lasseter’s 2018 departure amid misconduct allegations.
Click on a timestamp to play from that location
0:00.0 | This week on the business, Meglifove and Dave Holstein co-wrote Pixar's Mega Hit, Inside Out 2, |
0:06.4 | the biggest movie of the year with a box office gross of more than $1.6 billion. |
0:11.8 | That's a welcome relief after Pixar and Disney animation hit some rough waters in the past few years. |
0:18.0 | But while she was working on the film, the Fov says she felt no pressure. |
0:22.1 | I never, while I was writing this movie, was ever asked or talked to about, you know, box |
0:27.6 | office or success. It always is a question of, is this the best story? |
0:31.8 | Meglifov co-wrote the first Inside Out. For the sequel, she worked with Dave Holstein. We talked |
0:37.2 | about the importance of putting |
0:38.5 | animated movies in theaters instead of only on the streamer, as former Disney CEO Bob Chappick |
0:44.1 | did during his tenure. I also asked whether the Pixar culture has changed since John Lasseter |
0:49.8 | departed among misconduct allegations in 2018. But first we banter. Stick around. It's the business from |
0:57.2 | KCRW. Hi, I'm joined by my partner in banter. Matt Bellany. Hello, Matt. Hi there. So, we are |
1:06.3 | winding to the end of the summer. Studios don't usually put something big on the Labor Day weekend |
1:11.5 | because it is thought that people are busy getting ready to go back to school and not running |
1:16.3 | out to the movies. But all in all, the summer, after a lot, a lot of hand-wringing at the beginning, |
1:22.0 | a couple of things didn't work, and people were like, oh, my God, the end is near. And then |
1:26.5 | it turned around. And It wasn't the biggest |
1:28.9 | ever, but it was not bad. Yeah. Overall, the box office this summer is down about 19, 20 percent, |
1:36.8 | from 2023. Not great, but it's actually up from 2022. So, and if you looked at those numbers in May when movies like, |
1:46.8 | The Fall Guy and Furiosa came out and just did very little business, there was a sense |
1:53.1 | that the sky may be falling because the strike, the strike really hampered a lot of the |
1:59.2 | output this summer. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from KCRW, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of KCRW and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.