Hey, I'm Brian Hyatt, and this is Rolling Stone Music Now.

And today really is all about the He Said She Said Bullship, because we are doing a Limp Biscuit episode because the world is talking

about Limp Biscuit. It is 2021 and there are debates about Limp Biscuit. People are caring about Limp Biscuit.

Basically, if we had to trace why there is subject, there's a new documentary about

Woodstock 99 out that I actually have not watched because I just feel too close to it.

I just can't deal with it.

But shout out to my friend Stephen Haydn who was a consultant on that. I haven't watched it but you know it got people

talking that the producers of Woodstock I think again took the opportunity to basically blame

everything had happened at Woodstock 99 to un Fred Durst, which is absurd.

Although Rob and I will go on to disagree about what culpability Fred may have had for the stuff that happened during his own set.

But blaming the rise on him, blaming everything on him is ridiculously.

He wasn't even the same day as the riots is preposterous.

But so people were talking about that and then they also played at La Palusa and

Fred wore like a wig and did a dad dance and so that got attention and basically in this sort of horrible as it is the sort of circle of music people on Twitter music writers has been a

debate over sort of the essential worth of Limp Biscuit and I find the debate kind

of silly.

Unfortunately, my default reaction to most debates is like I hate both sides of this and that is where I am.

But maybe Brittany, what do you think of this debate and I know you're just kind of Olympus get fan,

like you're not even kind of...

Yeah, lifelong since birth.

So, you know, how do you see all this?

I mean, I don't know.

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