4.9 • 1.5K Ratings
🗓️ 27 March 2019
⏱️ 35 minutes
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0:00.0 | Ladies and gentlemen, please take your seats. Our show is about to begin. |
0:10.0 | For the Empire Strikes Back, John Williams carefully crafted a highly detailed score, covering almost everything in the film. |
0:18.0 | From there, a team of filmmakers use that score to strike a perfect tone and balance, turning Empire |
0:26.0 | into the masterpiece that it became. |
0:28.8 | This is the soundtrack show. The Well, the first thing I think about is that when I look at a film all put together, |
1:08.0 | it's dead. It's like lively death. |
1:12.0 | The film moves in its action pace, but there's sometimes nothing behind the eyes of the movie. |
1:17.0 | And for me, music has always brought out a kind of spirit, and the soul of the movie is evident once there is music to the soundtrack show. I'm your host David W Collins and in this episode |
1:45.9 | we are continuing our study of the first sequel to Star Wars called Star Wars |
1:51.8 | episode 5 The Empire Strikes Back, a film from 1980 with a musical score by John |
1:58.8 | Williams. |
2:00.0 | In the last episode, we discussed three major themes that were new, important additions to the Star Wars universe when this film debuted. |
2:11.0 | Today, we're going to look at some other moments in the film that features stunning new music. |
2:16.0 | Music that perfectly captured either the film's exotic new locations or battle sequences or were perhaps additions of character, even vehicles, |
2:26.9 | using the full expressive power of the London Symphony Orchestra to breathe life or oxygen into this new exotic tale in outer space. |
2:38.4 | But my friends, I'm here not only to point out the music, but to offer you another twist in the story of making |
2:46.7 | the Empire Strikes Back. And that is this, more than any other Star Wars film, Empire features long passages of music that were fully |
2:57.0 | written, orchestrated, performed and recorded for the film, and that were ultimately cut. |
3:05.0 | Today, we'll begin to compare and contrast some of those moments |
3:09.0 | and talk about the tricky creative balance |
3:12.0 | that Kirsch and other filmmakers were trying to achieve with Empire. |
3:16.0 | Truly a fascinating glimpse into the decisions that went into making this classic. |
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