Okay, we're live. Hi, this is William Ramsey. Welcome to William Ramsey Investigates on today's show of a very special guest, a returning guest. This will be our fourth show. His name is Tim Tate, and he comes to us from the UK. And we did a show back in 2019. We covered one of his books titled Hitler's Secret Army, a hidden history of spies, saboteurs, and traitors in World War II. And then just this year, we did two books.

One was spy who was left out in the cold, the secret history of Agent Golanefsky in August.

And then just last month or two months ago, the assassination of Robert F. Kennedy, crime, conspiracy, and cover up a new investigation.

So I highly recommend those books. People go check

those out. But today we're going to talk about another side of his career, which is the

filmmaking side. And it's a documentary that was made in, I think filmed in 2009, published 2010

titled Dirty Little Secrets. Really fascinating. You can see it on

Femio and I will post the link to the show in the show notes of this show. But it

talks about his really entry into this closed society of North Korea and kind of a

story that took place during the Korean War. But Tim Tate can talk more about that. So, Tim, are you there?

I'm here. And thank you for having me. Awesome. Well, thanks for coming back. Delighted to talk with you

again. Can you talk about kind of like, maybe we've talked about your books, but your filmmaking

career people might not know about. Can you talk about that and what brought you to this

documentary, one-hour documentary on Al Jazeera titled

Dirty Little Secrets?

Yeah, I mean, my day job for 30-old years was as a documentary filmmaker, and I made primarily

investigative documentaries for all British and a lot of international networks, including networks in the US and abroad.

And in about 2009, I started working for Al Jazeera's English network.

It's important to stress Al Jazeera English, which is not the Arabic network.

And I did so because it was then pretty much one of the last places in the British broadcasting landscape,

the last networks, which was prepared to investigate serious stories and serious

stories of geopolitical, historical interest.

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