This is Carolla Digital.

Hi folks, it's Larry Miller.

That's right and I just wanted to take a minute to say

Thank you for listening. It means the world to us over here and if you like the show please tell a friend that's right bring a friend

over and it will really help us grow and it means a lot to everyone here so

please tell a friend and well that means we'll be able to say for a long time

We'll see you here

From level five city in Glendale

It's this week with Larry Miller. Good evening Mr. and Mrs. and Mrs. America and everyone who just can't get out of the hotel room.

Hi folks, and welcome back to this week with Larry Miller. I'm Larry Miller but in a way aren't we all and you know every week it happens this way every week and what a blessing that that song, that theme, that band playing, that big band

slash marching band, whatever they are, makes me so happy and gives me a big smile and Colonel Jeff 2 and

Dr. Chris 2, and they get better every week. I know I say that every week, but it's true. That's of course the Larry Twoni Orchestra and the Joni Nord dancers featuring Boytenor Chris Parr asking the musical question,

How far away do you have to be when you're no longer close enough for jazz?

How about that? How do you like them apples when you're no longer close enough for jazz and

Colonel Jeff and thought that would be good for us here and I do too and here's why.

I don't know how many of you have ever even heard the expression close enough for jazz.

I knew it since I was a kid because in a way it's something musicians

say to each other it's could be for orchestra it could be for anything when you're

tuning an instrument for instance when I was playing cello in all the places I played it, then I would say when you're tuning the cello and someone said are you in tune I would always say close enough for jazz and because I

had heard that or heard that also from my parents close enough for jazz so meaning at the time I guess that expression came out of 1910 1920 1930 when

jazz was really becoming well what it is it's an American form in so many deep ways.

And of course they were really pushing the bounds and experimenting with not just half steps, not just whole tones and half tones the way they are on a piano let's say

...