meta_pixel
Tapesearch Logo
Log in
Best of the Spectator

The Book Club: with Carmen Callil

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4785 Ratings

🗓️ 4 November 2020

⏱️ 32 minutes

🧾️ Download transcript

Summary

Sam's guest in this week’s Book Club podcast is the publisher and historian Carmen Callil, whose new book Oh Happy Day: Those Times and These Times, tells the story of how her 18th-century ancestors were transported to Australia. She uses their story as a window into a densely imagined account of English and Aussie social history, and of the darker side of empire. She tells Sam why the Industrial Revolution wasn’t always a good thing, why it isn’t over the top to compare the British state apparatus to the Nazis - but also about her own childhood in Melbourne and why as a fervent anti-imperialist she accepted a Damehood.

Transcript

Click on a timestamp to play from that location

0:00.0

You can subscribe to The Spectator for 12 weeks for only 12 pounds for our print and online editions,

0:06.1

plus get six months of digital access free to The Telegraph.

0:09.8

Go to spectator.com.uk forward slash telegraph.

0:19.7

Hello and welcome to the Spectator's Book Club podcast. I'm Sam Leith, the literary editor of The Spectator,

0:25.2

and this week I'm delighted to be joined by Carmen Khalil, the publisher and writer and all-round

0:32.1

superstar, whose new book is called Oh Happy Day, Those Times and These Times.

0:39.3

Now to start with, you know, anyone picking up a book called Oh Happy Day might expect a bit less dysentery, flogging and child mortality.

0:48.3

I agree. I agree.

0:51.3

But if you're going to write about the British Empire and what people suffered from it,

0:57.9

you have to sort of get readers to pick it up. I mean, there is a happy story in the middle of it.

1:02.7

But the British Empire, which is not correctly taught in schools, as you know, I think,

1:08.6

that I think it so, included a heck of a lot of suffering, so you can't

1:12.9

write about it without writing about that, particularly to their own people. I mean, I think what I

1:18.5

wanted to do, Sam, though God knows anything that happened to convicts and Australians was

1:25.1

nothing in comparison to what happened to West Indians and

1:28.6

Indians but nevertheless the suffering quota for the British Empire was tremendous really

1:35.9

and so I wanted to point that out.

1:38.5

Did you start out wanting to write about the Empire and find a word doing it through your own

1:43.4

family or did you start out wanting to write about your own family and find it turning to the empire? find a way of doing it through your own family or did you start out wanting

1:44.6

to write about your own family and find it turning to the story of empire? No absolutely. The book

1:49.5

changed twice. It was meant to be my memoirs for which I've had a contract for many, many years

1:55.3

and I always give them a different book. But I am going to start my memoirs when this is over.

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from The Spectator, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The Spectator and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.