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Best of the Spectator

The Book Club: the magic of children's books

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4785 Ratings

🗓️ 11 December 2019

⏱️ 38 minutes

🧾️ Download transcript

Summary

In this week’s Book Club, Sam's guest is the children’s writer Piers Torday, author of the Last Wild trilogy and, most recently, The Frozen Sea. Why is winter such a powerful thing in children’s writing? How come children’s books are such a booming publishing sector when so many people thought that screens would all but kill them off? Why do so many children’s writers have catastrophic personal lives? And how do the stories of today repurpose and live in the stories of the past?

The Book Club, what used to be known as Spectator Books, is a series of literary interviews and discussions on the latest releases in the world of publishing, from poetry through to physics. Presented by Sam Leith, The Spectator's Literary Editor. Hear past episodes here.

Transcript

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0:00.0

Just before you start listening to this podcast, a reminder that we have a special subscription offer.

0:04.8

You can get 12 issues of The Spectator for £12, as well as a £20,000 Amazon voucher.

0:10.3

Go to spectator.com.uk forward slash voucher if you'd like to get this offer.

0:20.5

Hello and welcome to Spectator's Books Club podcast.

0:23.9

I'm Sam Leith, the literary editor for The Spectator, and this week I'm joined by Piers Torday,

0:29.0

the children's writer who's shot to international superstardom with his last wild trilogy,

0:35.5

and who's now two books into a new trilogy began with The Lost Magician

0:40.8

and his new book is The Frozen Sea, which is a wintry sort of tale and appropriate for this

0:47.5

time of year. Piers, welcome. Tell us a bit about the Frozen Sea. What's this new trilogy about

0:53.1

and how does it differ from the last one?

0:55.6

Well, essentially in 2016, when by most people's reckoning, the world seemed to go a bit weird,

1:02.4

not least of all, lots of celebrities dying without giving us due notice,

1:06.5

but more fundamental shifts in our perception of where the world was turning and the political

1:11.7

consensus, unpredictable events. I found myself taking refuge in nostalgia and I reread the

1:19.9

lion, the witch, and the wardrobe. A book I loved as a child and kind of got me into reading

1:24.8

as much as any other text. And I was struck by a couple of things.

1:29.4

I was struck by how well it stood up as a story today, as a narrative, as an adventure,

1:36.5

against books like Dark Materials and Harry Potter.

1:40.7

Dark Materials are very much against Narnia.

1:45.1

But much I love is dark materials, I would argue that Lyon Wichinin Wardrobe is a considerably

1:49.1

shorter and in places just as thrilling.

1:52.8

And C.S. Lewis has fallen out of favour recently for various reasons.

...

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