Welcome back to the Olympic Files. I'm Al. I'm Theo.

And this will be the conclusion of Once Upon a Time. And we're going to end it with what I find very interesting,

and that is especially for a Christian country, if you're going to buy that, and it's false anyway, but how many people do buy that?

Then when somebody explained to me how in the world the seat of the federal government can be so festooned with

the cult symbology. What is that all about? So I'm going to throw it to you, Theo, as far as

your take, and how that first hit you when you realized that a lot of these most prominent

edifices and designs and such harken back to paganism. And the other question is, how can the Christians be so blind to it?

Okay, that sounds like a good A and B. Go ahead.

Well, they seem to always get these guys from France to come along,

freemasons from France to come in and be their artists or sculptors.

The, was it, I had to look this up, Pierre Charles Le Infant.

La Font, yeah.

Was the, obviously, free Masonic designer of the layout of Washington, D.C.

In Free Masonic Pentegrams and whatnot.

And then later on you had the Statue of Liberty also was a French production,

the goddess of, you know, the Colombian goddess thing, goddess of liberty.

That's a total Fre masonic thing with the

rate points of light in her head

and the o the and the illuminating torch she's holding

well let's we'll bring it down and get specific is staying in DC for the moment

you take a look at probably the two most recognizable edifices, and one would be the Capitol, the Capitol building, and the other would be the Washington Monument.

Now, I think everybody probably knows at this point that the symbology of those two buildings

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