We're back. We're back. It's a dead cast. I'm Drew, and that's Rob. It's just you and me, Rob.

What are we going to do? All alone, secluded together.

You might have to talk sports and get after it as hard as we can.

I'll never get over how funny that song is from Mike and the Man.

I want to watch like an entire, like not a long documentary, but a feature length documentary

about the recording of the Mike and the Mad Dog song.

Like when the session guitarist came in and he's like, you just want me to wail?

And they're like, yeah, man.

We do.

I want, I want Steve Perry of Journey to re-record a couple. The tuckers was going there and charge. Just a kid. There's no bad version of it. I feel like even one of the, like, a shitty, like, um, like sing-spoken Billy Eilish version of it would still be great.

Oh, yeah.

I think a checked-out tween just mumbling those words.

I'm into it.

I'm so old that people were talking about Billy Eilish in the work chat, and I was like, who's there?

I was like, that's probably not rock.

Yeah.

I mean, I usually when the youngsters at work are younger coworkers are talking about some music stuff, I will listen to it to see.

And that's one in particular where I was like, this sounds like music made by 55-year-olds for 13-year-olds, and I don't think it's for me.

But they're defenders.

There are like straight up adults with like good personal style on our

staff who think that that shit is good. I liked it. Yeah? Yeah, that's okay. This sounds good. Also you. That's pretty good, though. I was like, this isn't the chain smokers. This is good. You know what I was going to say is that, uh, well, there's two things. One, I'll tell you the, the moment I felt really old is when we did a deadcast in Nashville.

And we were going to remember some guys, some SEC guys. We were in SEC country.

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