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Well, yeah, because I think they have to have, David had to have a line in there somewhere that

acknowledged that, because, you know, the whole thing is set up on this, like, straw man of basically,

like, people got so upset and, like, unjustly so over Emily Oster. And so literally

the link that you're talking about were he in this thing that we're making fun of like links

to you and the piece that you wrote, yeah, with Justin Feldman who's also been on the show and

your other colleague, Seth Prins. And the way that he links to you is with a sentence at the top of a paragraph,

critics, that's the link.

That's the hyperlinks.

Critics called the article insensitive and misleading, which is not exactly, I don't think insensitivity was your angle. We didn't. Exactly. Yeah. So he's setting us, and this is the same way. He's done this twice now, which makes me think, okay, A, he didn't, I mean, he obviously didn't read what we wrote, which like, I get it, you know, the life of a New York Times editor, busy, busy.

Like, definitely doesn't have time.

But it also makes me think about how.

So in both instances, this most recent one and like a previous version, right?

Like David Lianhart is linking to us, setting us, like the three of us, literally,

up as like the critics, right, that are like

bringing the heat for Emily Oster. And in this most recent one, it's like, okay, well, we're the

critics, you know, we were criticizing her and it turns out she was right. And that's not the right

take. I mean, it makes me afraid because it's like, is there no one else that has

written anything critical about, I mean, obviously, I think the piece that we wrote is, is awesome. Like, I think people should go and, and try to read it. I think it's really good, but I'm like, it's a sorry kind of state of affairs when, like, I, you know, like, the thing I wrote is like all, like, is that all that's out there that you can find?

So you're linking to it multiple times.

Like, I don't know why like our thing has gotten picked up as like emblematic of like the criticism of her.

And I'm worried that it's because there's not that much out there.

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