TCF Ep. 652 - Amani Willett
The Candid Frame: Conversations on Photography
Ibarionex R. Perello
4.8 • 768 Ratings
🗓️ 13 January 2026
⏱️ 53 minutes
🔗️ Recording | iTunes | RSS
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| 0:00.0 | There are times when the world feels off its access, when what's happening around us is too vast, too uncertain to fully name. |
| 0:16.7 | For many of us, the early days of the pandemic felt just like that. |
| 0:28.0 | But for a photographer, Amani Willett, it also became a time to observe, to reflect, and to create. |
| 0:35.0 | His new book, Invisible Sun, is both a visual diary and a psychological landscape, |
| 0:41.2 | a document of life under lockdown, shaped by fear, disconnection, love, and hope. Shot in and around his home in Brooklyn, Amani's photographs are personal and poetic, |
| 0:49.0 | showing us the ways isolation warps, time, and space. The images often intimate, sometimes surreal, speak to both the |
| 0:59.0 | vulnerability and resilience of everyday life. Amani is no stranger to weaving personal narrative with broader themes. |
| 1:08.0 | His previous work explored fatherhood, ancestry, and political tension in America. |
| 1:14.0 | But with Invisible Sun, the lens turns inward in a new way. It's a book about stillness, |
| 1:20.4 | but also about quiet transformation, about what happens when we're forced to slow down |
| 1:27.2 | and sit with uncertainty. |
| 1:30.5 | This is EbodyNX and welcome back to The Candid Frame. |
| 1:40.4 | Well, Amani, welcome to the Candid Frame. |
| 1:42.7 | It's great to have you. |
| 1:43.9 | Thank you for having me. I really appreciate being here. I'm excited to talk with you. |
| 1:49.0 | Yeah, it's been really interesting diving into your work, because it's really interesting in terms of your journey. |
| 1:57.2 | A lot of people who start off in the particular genre of photography just kind of sort of lock themselves in |
| 2:02.3 | and you've seen they've had a really interesting transition from you know street photography into much more |
| 2:10.2 | creative well that's not right street photography is creative but what I mean from it is that you |
| 2:16.8 | create images that are less literal and then much more |
| 2:20.9 | subjective from the point of view of the viewer. |
| 2:23.8 | And I always think that's really kind of fascinating to see a photographer who's made that |
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