TCF Ep. 651 - David Walter Banks
The Candid Frame: Conversations on Photography
Ibarionex R. Perello
4.8 • 768 Ratings
🗓️ 5 January 2026
⏱️ 69 minutes
🔗️ Recording | iTunes | RSS
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| 0:00.0 | Happy New Year and welcome to a new season of the Candid Frame. |
| 0:15.0 | When David Walter Banks first turned his lens towards the Oke-Finoki Swamp in southern Georgia, he wasn't |
| 0:22.8 | just photographing a landscape. He was returning to a place tied to his earliest memories. |
| 0:29.6 | Raised not far from these dark waters, David's project, Trembling Earth is as much about home |
| 0:35.1 | as it is about history, memory, and the complicated legacy of the American South. |
| 0:41.3 | The work is steeped in atmosphere. |
| 0:44.5 | Shot with a blend of digital and medium format film, the photographs carry the weight of silence, |
| 0:49.8 | the density of the heat, and the tension that lingers in places shaped by both natural beauty |
| 0:55.9 | and human struggle. You can feel the land breathing in these images, haunting, reverent, and |
| 1:03.4 | unflinchingly intimate. But what makes trembling earth resonate so deeply is David's willingness |
| 1:10.2 | to confront what lies beneath the surface, |
| 1:13.5 | not just the swamp, but in his own story. He approaches the region with both love and |
| 1:19.9 | reckoning, creating a visual record that asks us to consider what it means, to return, |
| 1:26.1 | to question, and to see familiar places with you eyes. |
| 1:31.2 | This is IbarianX and welcome back to the Candid Frame. |
| 1:40.0 | All right with David, welcome, welcome to the Candid Frame and good to see you again. |
| 1:49.0 | Pleasure. Thanks for having me on. |
| 1:51.6 | As you mentioned before, I met you back in when I attended four by five Photo Fest. |
| 1:56.1 | I don't even know how many years ago that was. |
| 1:59.5 | Many. |
| 2:00.4 | But I really enjoyed the experience i had i had down |
| 2:03.7 | there and i just met some you know met some very talented photographers you know it's good to get out of |
... |
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