4.8 • 749 Ratings
🗓️ 18 February 2020
⏱️ 69 minutes
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0:00.0 | Though I don't know this for a fact, I think that many journalists and photojournal |
0:14.0 | had a seminal experience in their lives that led them to that particular career path. |
0:20.0 | It's analogous to how some photographers felt when they |
0:23.8 | first saw an image appear like magic in a developing tray. Photojournalist Brent Lewis had such a |
0:30.8 | moment in college. It led him to change his studies from electrical engineering to photojournalism. |
0:37.0 | It wasn't so much the subject of that pivotal story that was so important, but the feelings |
0:42.2 | he had when he raced back to the newspaper, processed his images, and saw them laid out |
0:48.2 | on the front page for the next issue. |
0:51.4 | At the end of the day, it was like, cool, we're done, pages down, we got the A1 |
0:54.4 | story out, we're good to go. And I remember walking out of their, like, which should be |
0:59.7 | completely tired, but I had like the shoulders of energy. And I was walking across the street, |
1:05.3 | heading back to my dorm and did that, if you ever seen a movie Pursuit a Happiness, like |
1:09.5 | right after Wilson, if he gets the job, he does like this butt of the head clap when he's walked up |
1:12.9 | up street. That was me. I did that. It was probably 2 a.m. in the Cal of Illinois, |
1:17.8 | and I am the only person outside on the street, and I am just clapping. And I was like, |
1:21.6 | that's it. This is what I want to do. be damned we'll talk to brent about the relationships that have played a role |
1:29.6 | in his career as a photojournalist of color and how it's all led him to his current position |
1:34.9 | as a photo editor for the new york times this is ibody an x and welcome back to the Candid Frame. |
1:49.8 | Well, thanks for making time for me, man. |
1:50.7 | Welcome to the show. |
1:51.5 | Thank you. |
1:52.3 | Thank you for having me. |
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