4.8 • 749 Ratings
🗓️ 15 December 2019
⏱️ 58 minutes
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0:00.0 | As I record this, I'm beginning my second full week in Tokyo, Japan, where I'm conducting my last |
0:15.8 | workshop of the year with my friend George Nebechi. I want to find the words to describe what I've been experiencing, |
0:23.8 | but any words I think would be premature. |
0:27.8 | All I can say is that something very special is happening for me here. |
0:34.5 | George, my students and I, are enjoying wonderful experiences and making thousands of photographs. |
0:42.3 | But what makes everything special is that we are experiencing this journey together. |
0:49.3 | Each of us is learning how to see and bear witness to our personal experiences using the camera. |
0:58.6 | And by sharing them through our images, we are learning about the uniqueness of each other in ways that words just couldn't. |
1:07.4 | I met Robert Hale about 25 years ago through our association with the Black Gallery, |
1:14.6 | a fine art gallery and collective of African American photographers here in Los Angeles. |
1:20.6 | And while I remember his tall, lean look and his ever-calmed, peaceful demeanor, I also remember a small metal container of prints he would always have with him. |
1:33.8 | It was those images that told me so much about who Robert was. |
1:39.5 | And it wasn't until recently that I finally had the chance to have a proper conversation with a man |
1:46.2 | whose work I have long admired. It's a conversation that was too long coming. This is I |
1:54.1 | Badi and X, and welcome back to the Candid Frame. All right, welcome, brother, the Candid Frame. |
2:02.6 | All right. |
2:03.6 | Welcome, brother. |
2:08.3 | The Candid Frame, it's been so long since I had a chance to see you. |
2:09.2 | Years. |
2:09.8 | Yeah. |
2:12.5 | And I've never had a proper sit down with you. |
2:13.2 | No, no. |
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