4.8 • 749 Ratings
🗓️ 11 February 2019
⏱️ 60 minutes
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0:00.0 | This is Eibody in X, and this is the candid frame. |
0:21.3 | When it comes to certain types of photography, such as travel or street photography, |
0:27.2 | people are often used as objects, visual elements that help to complete a composition. |
0:34.1 | And while that approach can result in stunning and beautiful imagery, |
0:38.3 | they can often lack any sense of intimacy and humanity. |
0:43.6 | Now, that's not to say that those kinds of images are incapable of expressing those human qualities. |
0:50.6 | It just becomes that much more of a challenge to do so. For a photographer and |
0:56.7 | educator Stella Johnson, her photographs are all about intimacy and relationships. She combines |
1:04.9 | the compositional skills of a street photographer with the sensitivity and awareness of a documentary photographer |
1:12.0 | to produce images that leave you feeling as if you are looking at more than just a well-crafted |
1:18.9 | photograph. Her decades-long work documenting families in Greece in Mexico demonstrate her ability |
1:26.3 | to express what it means to be human. |
1:30.0 | A chance encounter that might have resulted in a simple environmental portrait for any other |
1:35.6 | photographer began decades-long relationships that resulted in an amazing body of work. |
1:42.8 | Well, the first time I did it was in 1987. |
1:47.0 | I went to San Bartolo-Koyote, which happens to be 10 kilometers from where I'm sitting right now. |
1:53.0 | And it was a dirt road, and I went down the dirt road, and I saw this woman making her black pottery, |
1:59.0 | and I asked her if I could photograph her in very, |
2:01.5 | very broken Spanish at that point, okay? |
2:04.4 | And she said, okay, and I had Essex 70 film, and she had five kids. |
2:09.7 | The youngest was five, and I put the SX70 camera in his hands and showed them how to take |
2:14.7 | pictures. |
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