4.8 • 749 Ratings
🗓️ 5 November 2018
⏱️ 67 minutes
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0:00.0 | This is E. |
0:14.0 | And this is The Candid Frame. |
0:18.0 | Suzanne Seas has worked with a lot of photographers. |
0:24.6 | In her role as a senior art buyer for ad agencies, |
0:28.6 | she hired some of the best talents in the photographic world |
0:31.6 | while working with clients including Seiko and Rangler. |
0:35.6 | Those years taught her the ins and outs of how the advertising world works, |
0:41.9 | and it's something that she now shares with photographers as a consultant. Whether it was an advertising |
0:49.0 | client or a photographer, Suzanne's goal has always been to provide solutions and to be of service. It's what |
0:56.9 | drives much of her work today, especially as she collaborates with photographers. When entering an |
1:03.4 | industry where it can feel that opportunities are shrinking, well, competition is only growing, |
1:10.1 | the photographer has to rely on more than his or her |
1:14.1 | talents behind the camera. As Susan explains, it's a photographer's ability to convey their |
1:20.1 | strengths as a problem solver that makes the difference between getting the job or not. |
1:26.7 | I think that when you have exact examples of problems and how you worked, but also how |
1:33.3 | you collaborate, I think that's really important too. |
1:37.1 | A lot of photographers, I've been on the creative call when it comes to being up against |
1:43.9 | certain people, and it's how that photographer, you know, were a part of that creative call when it comes to being up against certain people. |
1:44.7 | And it's how that photographer, you know, were a part of that creative call, not about, you know, |
1:50.8 | oh, you'll find that out on set. |
1:52.3 | Oh, you'll find that out on set because they get the thought that someone's going to steal their ideas |
1:57.3 | on how they're going to execute it. |
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