4.5 • 678 Ratings
🗓️ 26 August 2022
⏱️ 69 minutes
🧾️ Download transcript
Welcome to episode 552. We have one longer tale for you this evening, about a squad of conscripted convicts who learn there are worse places to be than behind bars.
COMING UP
Good Evening: 00:01:06
[Trigger] Rich Larson’s Extraction Request as read by Andrew Gibson: 00:03:10
TRIGGER WARNINGS
Extraction Request contains brief sexual content
PERTINENT LINKS
Support us on Patreon! Spread the darkness.
Andrew Gibson | The Narrator Nook Discord
Andrew Gibson | The Haven Discord
Original Score by Nebulus Entertainment
SPECIAL THANKS TO
Amanda Gottfried
Kathy Robinson
Support this show http://supporter.acast.com/talestoterrify.
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0:00.0 | Love this podcast? |
0:01.7 | Support this show through the ACAST supporter feature. |
0:05.4 | It's up to you how much you give, and there's no regular commitment. |
0:09.1 | Just click the link in the show description to support now. |
0:44.3 | Thank you. From the blackest corners of your mind, they call, pulling you deep into shadow, twisting your senses, keeping you from sleep. |
0:48.3 | It's time to face your darkest fears. |
1:22.5 | This is Tales to Terrify. Good evening, children of the night, and welcome. |
1:38.2 | As I shared last week, by the time you hear this, I'll be out scrambling through the rugged wilderness of Iceland in search of beautiful views and whatever creepy mysteries hide behind their thin veil. |
1:42.5 | So tonight, we'll get right into our fiction. |
1:50.1 | We have one darkly delightful long tale for you this evening, which comes from Rich Larson. |
1:58.6 | Rich Larson was born in Galmy Niger, has lived in Spain and Czech Republic, and is currently based in Grand Prairie Canada. |
2:08.0 | His fiction has been translated into over a dozen languages, among them Polish, French, Romanian, and Japanese, and adapted into an Emmy-winning episode of Love, Death, and Robots. |
2:17.2 | Find free reads and support his work at patreon.com slash richlarsen. |
2:25.1 | Children of the Night, join me for Rich Larson's extraction request, first published in Clark's World in 2016. The |
2:53.6 | The When I finally shift the transport's still smoldering wing enough to drag Beasley out from where he was pinioned, for a moment all Elliot can do, all anyone can do, is stare. |
3:35.3 | Beasley's wiry arm with its bioluminescent tattoos is near sheared from its socket, and below his hips he's |
3:42.2 | nothing but pulped meat and splinters of bone. He's still alive, still mumbling, maybe about the |
3:48.8 | woman Elliot saw in a little hollow, with her arms thrown around his neck, back before Beasley's |
3:54.3 | dreadlocked mane was shaved off, and a conscript clamp was implanted at the top of his |
3:59.3 | spine. |
4:01.0 | His impact kit never triggered, someone says as if that's not fucking obvious, as if he could have |
4:07.1 | been ragdolled out of the transport otherwise. |
... |
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