4.6 • 806 Ratings
🗓️ 28 October 2022
⏱️ 33 minutes
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0:00.0 | I worked with this filmmaker years ago, Stanley Kubrick, |
0:03.3 | and he said, when I'm writing the script, I finish the script, |
0:06.0 | and I always say, wow, what a great writer, yeah. |
0:08.6 | And then he goes, and I'm directing the script, |
0:09.9 | and I said, that writer was an idiot. |
0:12.3 | And then he said, then I get into the editing, |
0:14.3 | and I go, what was that fucking director thinking? |
0:16.3 | You know, and I think, you know, that's very much how all of us experienced that kind of process. |
0:36.2 | Hello and welcome back to the Directors Cut, brought to you by the Directors Guild of America. |
0:42.1 | In this episode, a female conductor faces challenges as she takes on a major production in director Todd Field's psychological drama, TAR. |
0:52.0 | Set in the international world of classical music, the film follows groundbreaking |
0:56.8 | composer and conductor Lydia Tarr, as her life begins to unravel while preparing both a book |
1:03.0 | launch and a much-anticipated live performance of Mahler's Fifth Symphony. In addition to TAR, |
1:10.8 | Fields' other directorial credits |
1:12.4 | include the feature films |
1:13.8 | Little Children and In the Bedroom, |
1:16.4 | and episodes of Carnival and Once and Again. |
1:20.4 | Following a screening of the film |
1:22.0 | at the DGA Theater in New York, |
1:24.6 | Field spoke with director Greta Gerwig |
1:26.5 | about filming TAR. |
1:28.7 | Listen on for their spoiler-filled conversation. |
... |
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