T. J. English and the Last Kilo
Gangland Wire
Gary Jenkins
4.6 • 647 Ratings
🗓️ 25 November 2024
⏱️ 52 minutes
🔗️ Recording | Apple Podcasts | RSS
🧾️ Download transcript
Summary
English begins by sharing his journey into crime journalism, explaining his unique perspective on crime writing as a means to explore broader social themes, from the pursuit of the American Dream to the stories of marginalized communities in America. He explains how organized crime can act as a lens for understanding cultural assimilation and survival strategies across generations, pointing out that many immigrant communities, such as the Irish and Italians, were historically pushed toward illegal activities as a means of survival.
The discussion then turns to the Cuban drug trade in America, especially during the cocaine boom of the 1980s. English highlights key players like Willie Falcon and Sal Magluta, who used political connections and resources to pioneer cocaine distribution networks. The conversation explores how Los Muchachos, a Cuban drug trafficking group, established a stronghold in the U.S. by strategically lowering prices and expanding cocaine’s reach, setting the stage for explosive demand.
Throughout the episode, English contrasts Los Muchachos' tactics with those of other criminal organizations, particularly noting their reliance on loyalty and community ties over violence. This approach, forged through the shared experiences of exile, helped them maintain unity and discipline in their operations.
Jenkins and English also discuss the evolution of the cocaine market, from its glamorous early days to the more violent era marked by the rise of crack cocaine in the late 1980s, which reshaped public perceptions and spurred aggressive law enforcement responses. English explains how these shifts pressured Los Muchachos to adapt, prompting alliances with Mexican cartels to continue thriving in an ever-changing landscape.
Tune in to this episode for an in-depth look at the history, culture, and operations behind the Cuban drug trade, and how organized crime continues to reflect the broader social dynamics at play in America.
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Transcript
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| 0:00.0 | Well, hey, welcome all your wiretappers out there. It's good to be back here in studio of Gangland Wire. |
| 0:04.0 | This is Gary Jenkins, retired Kansas Police Intelligence Detective, a later sergeant. |
| 0:09.8 | Now, I've got this podcast going, Gangland Wire, and we have another, a guy that I was just talking to TJ a little bit. |
| 0:20.1 | I picked up a book called The Westie years ago before I even thought about doing a podcast |
| 0:25.3 | or any of this entertainment business. |
| 0:28.8 | And I was in trance by that book, The Westies. |
| 0:31.9 | It's about the Irish mob in Manhattan in New York City. |
| 0:35.1 | Now they ended up working with the Gambitos. |
| 0:54.7 | And, you know, that's a page Turner. He's got a new one out here that I've been going through it. I just got it the other day. And it is a page turner, too. So it's T.J. English. Welcome, T.J. My pleasure. Great to be here. All right. So you are the man when it comes to reporting on the mob. |
| 1:01.0 | There's a few of you guys, you know, Nicholas Pileggie has got Las Vegas sewed up and Anthony Dustafido. |
| 1:02.8 | He's got New York sewed up. |
| 1:09.0 | But I tell you what, when it comes to Cuba, especially with your trilogy, your Cuban trilogy, you've got that sewed up. |
| 1:10.5 | You are the man in that. |
| 1:12.4 | And you're the man as far as the Irish mob's concerned to me. So I really am excited about |
| 1:17.6 | doing this interview with you and meeting you. You want, you know, TJ, you won more book |
| 1:21.9 | awards and been on the New York Times bestseller list. And I can't even count them all. I don't |
| 1:27.3 | know how many |
| 1:27.8 | there are. You know, let's talk just a little bit about, I guess, where you came from, how you |
| 1:34.1 | got into this? How did you get into this true crime writing? And what is it that attracts you? |
| 1:40.7 | Well, you know, I started as a journalist. And for me as a journalist, crime was kind of the ultimate calling. |
| 1:49.0 | It was, is what requires the greatest skills from a journalist. |
| 1:54.0 | It's a subject that nobody wants you to write about, especially the people who are engaged in criminal activity in particular. |
... |
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