Synesthesia Art, with Krista Harris
Savvy Painter Podcast with Antrese Wood
Antrese Wood
4.8 • 941 Ratings
🗓️ 22 December 2016
⏱️ 60 minutes
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Summary
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| 0:00.0 | Hello there it's Antrice and welcome to another episode of the Savvy Painter |
| 0:08.1 | podcast. This episode is sponsored by Trachell Art Supplies. |
| 0:15.0 | For over 30 years, Trachell has been obsessed with the art of brushmaking, and now they're applying |
| 0:20.3 | that same obsession to professional grade artist panels. |
| 0:24.0 | Both their brushes and panels are made right here in California at their Hesperia factory. |
| 0:29.0 | Go to Trache.com and use promo code savvy16 to get 15% off your next order. |
| 0:37.2 | My guest today is Krista Harris. |
| 0:40.4 | Krista is an abstract painter living in Southwest Colorado. |
| 0:44.1 | She thinks of her paintings as maps or environments, |
| 0:47.6 | and she loves to play with synesthesia. |
| 0:50.7 | Synesthesia is that sensation that some people have when one sense is being interpreted by a different one. |
| 0:58.8 | Sounds kind of strange, I know. So for example, some people see a color when a number is mentioned, or maybe they |
| 1:06.6 | smell lemon when they see a particular shade of green. |
| 1:10.4 | Krista likes to explore the natural environment around her through not only sight, but sound, smell, and touch as well. |
| 1:18.0 | So she's really playing around with that idea of synesthesia in her work. We talk about her insights as a sort of late bloomer. |
| 1:25.9 | Krista didn't focus fully on her paintings until she was 49 years old. And we also |
| 1:30.7 | discuss something that I, it's a personal favorite of mine, I love talking about this, which is driving your own bus, meaning taking control of your |
| 1:45.0 | progress with. We also talk about why she switched from |
| 1:49.0 | representational painting to abstract work, |
| 1:51.0 | how abstraction allows the artist to paint without naming things. |
| 1:55.1 | Krista approaches her work from that non-thinking place and the minute that she starts thinking |
| 2:00.4 | about how she wants the painting to go or another artist that might remind her of or anything at all that is a distraction in that moment. |
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