Spike Lee on His “Dream Project,” a Joe Louis Bio-Pic
The New Yorker Radio Hour
WNYC Studios and The New Yorker
4.2 • 6.2K Ratings
🗓️ 20 October 2023
⏱️ 32 minutes
🧾️ Download transcript
Summary
Transcript
Click on a timestamp to play from that location
| 0:00.0 | This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker. |
| 0:09.8 | Welcome to The New Yorker Radio Hour. I'm Adam Howard, in today for David Remnick. |
| 0:14.7 | If you came of age watching Spike Lee movies, as I did, or joints as he likes to call him, |
| 0:19.3 | you quickly became familiar with his public persona. |
| 0:22.2 | He was ambitious, uncompromising, and outspoken, and as far as his critics were concerned, |
| 0:26.7 | maybe a little too outspoken. But Spike Lee was a groundbreaking voice, especially for black audiences. |
| 0:33.3 | Some of us, we got to see the richness and complexity of our lives portrayed on screen for the very first time watching his films. |
| 0:40.3 | His 40 years of filmmaking include classics like Malcolm X and do the right thing. |
| 0:45.3 | Several documentaries including a couple about Hurricane Katrina and New Orleans, |
| 0:50.3 | and recent favorites like Black Klansmen and Defive Bloods. |
| 0:53.3 | And he's still making movies destined to stir the pot. |
| 0:57.0 | The subject of his latest project, |
| 0:58.9 | former NFL quarterback Colin Kaepernick, |
| 1:01.8 | classic Spike Lee. |
| 1:07.0 | Thank you, thank you. |
| 1:09.7 | Can I say something first before we start? |
| 1:13.6 | It's Brooklyn in the house. |
| 1:15.6 | Oh, now we can start. |
| 1:18.6 | David Remnick sat down the other day with Spike Lee at the New Yorker Festival. |
| 1:22.6 | They began talking about Spike's father, the bassist and composer Bill Lee died at age 94 this year. |
| 1:32.6 | In his time, your dad was the bass player that everybody wanted to play with. It's an amazing |
| 1:37.8 | thing. Duke Ellington, Billy Holiday, Aretha Franklin, he played on It's All Over Now, Baby |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from WNYC Studios and The New Yorker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of WNYC Studios and The New Yorker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

