Slate Money: Movies: The Fountainhead
Slate News
Slate Podcasts
4.5 • 6K Ratings
🗓️ 13 July 2021
⏱️ 47 minutes
🧾️ Download transcript
Summary
Welcome to Slate Money Goes to the Movies, a miniseries in which Felix Salmon, Emily Peck, and a different guest each week discuss popular business-themed movies.
Michael Bierut, graphic designer and self-described “recovering Ayn Rand fan”, joins Felix and Emily to discuss the 1949 film adaptation of The Fountainhead. They cover the film’s remarkable architecture, the clunky, long-winded dialogue, and its surprising watchability--despite Ayn Rand’s insistence on controlling everything.
Email: slatemoney@slate.com
Podcast production by Jessamine Molli.
Twitter: @felixsalmon, @EmilyRPeck
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Transcript
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| 0:00.0 | Hello and welcome to the Fountainhead episode of Slate Money Goes to the Movies. |
| 0:19.0 | I'm Felix Salmon of Axios. I'm here with Emily Peck. |
| 0:22.4 | Hello. And oh my God, do we have a doozy for you this week. We have Michael Beirut. Michael, |
| 0:30.1 | welcome. Who are you? Hello, my name is Michael Beirut. I'm a graphic designer, a partner in the |
| 0:35.8 | firm Pentagram, and a recovering IronRand fan. |
| 0:41.1 | Iron Rand being one of the great bugaboos of 20th century America. She has huge influence in the |
| 0:47.8 | Republican Party to this day. And she wrote this book called The Fountainhead that she then |
| 0:53.9 | turned into a script, |
| 0:55.9 | which she insisted on being filmed without changing a single word. |
| 1:00.2 | This script actually got made into a surprisingly watchable movie starring Gary Cooper. |
| 1:06.2 | It's The Fountainhead from 1948, 49, something like that. |
| 1:10.1 | That's all coming up on a very fun episode, I have to say, |
| 1:13.8 | of Slate Money Goes to the Movies. |
| 1:17.5 | So Michael Beirut, where were you, if you remember, |
| 1:22.1 | when was it that you first saw The Fountainhead? |
| 1:25.6 | The Fountainhead, I can't say where it was when I first saw the movie, |
| 1:29.9 | which probably would have been on some late night TV on a UHF channel in Ohio or maybe even |
| 1:37.6 | when I first moved to New York in 1980. But the movie is very much and very much a product of |
| 1:44.0 | the book upon which it's based. |
| 1:46.0 | And that's made clear from the opening frames. |
| 1:48.2 | It's basically the opening shot shows like the cover of a book, the pages turn, and that introduces the credits. |
| 1:54.1 | And I read the book in the ninth grade in suburban Cleveland, and I just was thunderstruck by it. |
... |
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