Naked Sleeper (Harper Collins)
Sigrid Nunez on gender and narrative strategy, the sub-genre known as the "woman's weepie."
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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:07.9 | You are a human animal. |
0:11.9 | You are a very special breed. |
0:16.0 | For you are the only animal. |
0:19.4 | Who can think, who can reason, who can read? |
0:23.1 | From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
0:28.4 | Today, my guest is Sigrid Nunes. |
0:30.7 | She's the author most recently of a new novel, For Ruena, which has been published by Faris |
0:36.0 | and Giroux. |
0:36.8 | Her previous novels are Mitz, |
0:40.5 | Naked Sleeper, and a feather on the Breath of God. Now, now that this work is assembled before me, |
0:47.8 | it becomes unavoidable to see that the work is a mixture of essay, biography, poem, fiction. |
0:56.2 | And I had been told that you'd been a student |
0:59.0 | and perhaps even a protege of Elizabeth Hardwick's. |
1:02.9 | And I wondered if those multiple genres were ever discussed by you with her. |
1:09.6 | Yes, they were. |
1:12.5 | But I think the influence probably came more from her own writing than from anything that was said. |
1:20.6 | It isn't something that she was using in her fiction workshop at Barnard College, for example. |
1:27.4 | People weren't really writing well enough. They hadn't felt. workshop at Barnard College, for example. |
1:30.8 | People weren't really writing well enough. |
1:35.9 | They hadn't found their footing well enough as writers to be talking about blurring genres or mixing genres. |
1:38.1 | But her work was really a huge influence on me, and that is something that she has done and does so |
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