4.5 • 606 Ratings
🗓️ 19 December 1996
⏱️ 29 minutes
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0:00.0 | You are a human animal. |
0:07.0 | You are a very special breed, |
0:10.0 | for you are the only animal, who can think, who can reason, who can read. |
0:17.0 | Hello and welcome to Bookworm. |
0:19.0 | This is Michael Silverblatt. |
0:21.5 | Today my guest is Juno Diaz. |
0:23.9 | He's the author of a book of stories, a first book of stories called Drown from Riverhead Books. |
0:29.8 | He's been the subject of a lot of attention since even before this book came out. |
0:35.6 | He was singled out as the savior of the next century or something |
0:40.4 | like that by Newsweek magazine. |
0:42.9 | Yeah, something ridiculous, I think. |
0:46.4 | I'm curious to begin with how I have a friend who only calls his books by one-word titles, Dennis Cooper with Frisk and |
0:57.9 | all of the others. What made you choose drown as a title? I think it goes to, I'm a terrible |
1:06.8 | person for naming my stories. Terrible. My stories, you know, if I don't focus in and just |
1:13.3 | get one word, the longer they are, the more likely there is that they're going to have a car accident. |
1:17.9 | So I tend to, you know, find one word just because, you know, otherwise I hang myself and drown |
1:24.8 | itself. I just loved that word and the way that word resonates |
1:28.7 | because you can't tell if it's a command, drown, or, you know, infinitive or, and I just, you know, |
1:36.6 | for a Spanish speaker, I can remember hearing that word the first time and how ominous it sounded. |
1:42.2 | And so, you know, outside of the sounds and how, you know, the play within it, |
1:46.4 | I also liked the way it worked in a story, which was about a people, a character, |
1:52.2 | a narrator in a situation where he felt just embedded, he felt almost paralyzed or couldn't get out of. |
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