So the whole thing was designed to sell more figurines and at one point it was it's working.

It was a straight up working in this house.

It's going on in our house.

For sure.

So at one point it was just about like the game and there was some like kind of straight up

lore, right? Like bad guys, good guys.

And then around the third edition, second or third edition, they hired this writer because

they were like, well, we really need to deepen this because everyone's playing D&D.

This was like 8485. Now everyone's playing D&D and what we really need to do is deepen the lore

and turn this into something that people can play collaboratively and without, you know,

because British war games have some of the most obscure

labyrinthin sets of rules and like, you know, they're like, why are you out on the hills?

So you get a cycline and you know, just like get this so fucking technical.

So they were like, we need lore to bring people in.

They got the wrong writer because they got or they got the right writer because they got this guy

who was like, I'm going to turn this into a parody of modern day England, right? Like there's a dead

monarch and everyone acts like they're still alive and everyone's a fucking asshole.

And the future everyone's dumb and has forgotten how to make everything.

And it's just the most like religious, anti-scientific, dark world without enzinephobic

piece of shit. That's the universe. And they put that out and the people at Warhammer were like,

oh god, maybe we've made a huge mistake and people fucking loved it. People were like, yes,

it's absolutely rules.

...