Shakespeare and Science Fiction
Folger Shakespeare Library: Shakespeare Unlimited
Folger Shakespeare Library
4.8 • 878 Ratings
🗓️ 14 November 2017
⏱️ 29 minutes
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| 0:00.0 | Of all the truths in this broad universe, there's one that we here at the Folger care about probably more than anything else. |
| 0:09.5 | You have not experienced Shakespeare until you have read him in the original Klingon. |
| 0:14.1 | Ha ha! |
| 0:15.0 | Ha, ha! From the Folger Shakespeare Library, this is Shakespeare Unlimited. |
| 0:29.9 | I'm Michael Whitmore, the Folgers director. |
| 0:32.8 | That, of course, was from the 1991 movie Star Trek Six, The Undiscovered Country. |
| 0:39.3 | But, as you're about to learn, it turns out that's not the only place that William Shakespeare |
| 0:44.7 | has turned up in the world of science fiction. |
| 0:47.8 | Despite science fiction's association with modernity in popular culture, it is, in many ways, haunted by the literary canon. |
| 0:56.4 | And since at least the 1820s, Shakespeare the Man, Shakespeare the Idea, Shakespeare's |
| 1:02.5 | writing, and Shakespeare's meaning have cropped up in the genre in ways that we think you'll find |
| 1:08.0 | really surprising. Sarah Annis Brown has been writing about |
| 1:12.6 | Shakespeare and science fiction for quite some time now. She's a professor of |
| 1:16.6 | English literature at Anglia Ruskin University in Cambridge, England, and co-director of |
| 1:21.6 | the university's Center for Science Fiction and Fantasy. Right now she's writing a book |
| 1:26.6 | that looks in particular at representations |
| 1:29.6 | of how Shakespeare's plays are performed in the future. We call this podcast, I shall tell you |
| 1:37.0 | a pretty tale. Sarah Brown is interviewed by Barbara Bogave. Before we get to Shakespeare, |
| 1:43.4 | what exactly are we talking about when we say science fiction? |
| 1:47.2 | I know that there's a lot of wrangling that goes on around that term. |
| 1:51.9 | How do you define it? |
| 1:53.2 | And are we going back as far as Mary Shelley's Frankenstein, say, or Jules Verne's 20,000 Leagues Under the Sea? |
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