Hello and welcome to your Friday edition of The Nerve. I am your host, Maureen Callahan. What a show we've got for you. We're going to kick things off with none other than Timote, Shamalama Ding Dong, Oscar voting wrapped yesterday at 5 p.m. Pacific, 8 p.m. Eastern.

But Timote has been snubbed twice now, once at the Baftas, second at Sunday's actor awards.

So I've been waiting to do this piece because, you know, we go after Timote deservedly

quite a bit on this show, but we haven't yet spoken about Marty Supreme, partly because

it took me forever to work my way through this film.

It's very difficult to watch.

We're going to talk about what nobody covering this film. It's very difficult to watch. We're going to talk about what nobody covering

this movie in any remote way is talking about. And there's shocking stuff in this film.

Shocking stuff. I mean, there's one scene that stopped me in my tracks. And I thought,

how is it that the New York Times isn't

discussing this? And any remotely woke feminist media outlet should have been all over

this one particular scene. And it's just gone completely unremarked upon and then we're going to

go into what the problem is with the safty brothers the much lauded saffty brothers and if you don't

pay much attention to independent film you really wouldn't know who these two are but they are

two brothers who made their name with the adam Sandler indie drama Uncut Gems.

And since then, they've been lauded as like, you know, you know what?

You know how I always say explain the Duplas brothers to me?

These two are treated like the Duplas brothers on steroids.

And we've got some, again, some really, really, really effed up stuff about these two that the

media will not cover.

But hey, that's why the nerve is here, right?

That's why the nerve is here.

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