S8 Ep700: 7. Zimmerman recounts the perilous return to Earth, highlighting Jim Lovell’s emergency use of a sextant for navigation after a computer error. The mission concluded with a high-speed, "double-skip" atmospheric re-entry and a successful Pacific splashdown
The John Batchelor Show
John Batchelor
4.5 • 2.8K Ratings
🗓️ 6 April 2026
⏱️ 10 minutes
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Summary
7. Zimmerman recounts the perilous return to Earth, highlighting Jim Lovell’s emergency use of a sextant for navigation after a computer error. The mission concluded with a high-speed, "double-skip" atmospheric re-entry and a successful Pacific splashdown. This triumph solidified Apollo 8’s legacy for humanity. (7)
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Transcript
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| 0:00.0 | I'm John Batchel with Bob Zimmerman. The book is Genesis, the story of Apollo 8, |
| 0:04.5 | the first man flight to another world. Frank Borman, Jim Lovell, and Bill Anders, on board Apollo 8, |
| 0:12.4 | going round and round the moon. A little disappointing, but they're taking photographs that are |
| 0:16.6 | spectacular, one of Earthrise that you've all seen on stamps. You see it everywhere. It's so |
| 0:22.0 | commonplace. There's a small debate about who took what photograph. Bob settles it by saying |
| 0:28.9 | one was in color and one was in black and white. Which is which, Bob? I can't remember. |
| 0:33.3 | Yes. During the moment when the Earth rise was occurring, there was multiple Earth rises, |
| 0:38.0 | but this one, they happened to be looking right at the Earth coming up because of issues with controlling the capsule. |
| 0:45.2 | So they all saw the Earth coming up, and they suddenly realized that the camera program didn't include getting an Earthrise. |
| 0:50.8 | So they scrambled to get a picture. |
| 0:52.8 | And the camera at the moment had black and white |
| 0:54.7 | film in it. Anders was in charge of taking pictures. Bill Borman grabs the camera and takes a quick |
| 1:00.8 | black and white picture. And Anders says, there was a little friction between the two of them about |
| 1:05.1 | who's in control. Anders says, hey, I'm supposed to do that. And so they quickly scrambled to get |
| 1:09.5 | color image pictures to film into the camera, and then Anders takes the famous color picture we've all seen. |
| 1:15.8 | I must point out that it is always framed incorrectly on Earth. |
| 1:20.2 | It's always framed with the horizon on the bottom. |
| 1:22.9 | If you look at the cover of Genesis, my book, the Molyneur Horizon is on the right side because |
| 1:29.4 | Borman did not, sorry, Anders did not take this picture with the horizon on the bottom. He saw |
| 1:34.6 | the capsule and the Earth as different objects in space going around the waist of the moon |
| 1:40.6 | and coming out the side of the moon as objects in space. |
| 1:44.4 | And so he took the picture with the horizon on the side. |
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