S8 Ep270: X-RAYS, SURVEILLANCE, AND MOTION Colleague Anika Burgess, Flashes of Brilliance. The discovery of X-rays in 1895 sparked a "new photography" craze, though the radiation caused severe injuries to early practitioners and subjects. Photography also entered t
The John Batchelor Show
John Batchelor
4.5 • 2.8K Ratings
🗓️ 3 January 2026
⏱️ 12 minutes
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1871 Vendomme
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| 0:00.0 | This is CBS, I On the World. I'm John Baxter with Anika Burgess, the author of the new book, Flashes of Brilliance. |
| 0:08.1 | Highly recommended, if you take photographs with your iPhone, you're succeeding in an experiment that's been going on for almost 200 years, starting in Paris. |
| 0:20.4 | Now we come to how the daring due of the early |
| 0:25.1 | photographers turned into revelations that were capable of moving whole cultures, whole countries, |
| 0:33.2 | and that we're still on the grip of that movement. I'm talking about poverty. |
| 0:39.4 | Anika, wonderful story of Jacob Rees, a migrant who lives hard-scrabble life and the poverty of Lower Manhattan Five Points is how I imagine him coming to the city. |
| 0:52.2 | And he becomes a newspaper man, and then all of a sudden, he has an |
| 0:56.0 | idea of a camera. What does he do with the camera? And I believe it's wet collodian or dry |
| 1:03.1 | collodian that he's using. Who is he? Yeah. So as you mentioned, he was a newspaper man. He came |
| 1:08.7 | from Denmark to America and managed to establish |
| 1:11.2 | himself after some very hard years. And he began documenting in his writing the conditions of the |
| 1:17.9 | tenements in Manhattan, which were, of course, incredibly grim, very dirty, full of disease. |
| 1:27.1 | And he felt that the words that he was writing wasn't having enough of an impact of what he was really witnessing. |
| 1:33.7 | And he was reading in the newspaper one day about something new, something called flashpowder. |
| 1:40.0 | And it was a brand new invention that enabled photographers to take photographs at night in dark |
| 1:46.7 | spaces underground, sorry. |
| 1:49.5 | And so he began experimenting with that. |
| 1:51.4 | And that is how he was able to go into the tenements with his camera using flash powder |
| 1:57.4 | to illuminate the interiors and what he saw people packed into rooms and |
| 2:02.2 | their grim conditions and then show those to the public to make it very clear |
| 2:08.4 | exactly how people lived. |
| 2:10.9 | And of course, he translated that into a book that he wrote, a well-known book called |
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