Hello and welcome.

Hello and welcome to Fangoria's Colors of the Dark podcast.

I'm your co-host Rebecca McKendry and with me, fucking Elric Kane.

You make that sound so effortless when you do an intro.

It's just I told Elric he had to do the intro tonight and literally like four intros later. I was like, you know what? I'll just do it. I just am not. My favorite was where you forgot the name of the show. That was brilliant. We've got had a lot of shows. There's a lot of shows in my head. Yeah, this is we just survived January, the longest in the, apparently in the recorded human history of Los Angeles, we survived that.

We should be proud.

It was like January 48th.

I was just done and glad that we made it through.

It was just a lot.

And then I look back at like what I was doing on the second.

Like we went down to San Diego for a couple of days and i saw it pop up on my instagram of

like january second you were at the san diego zoo and i was like fuck that feels like a lifetime

ago it was just so long i had hopes and dreams and they were all killed by the end of the month so

but making it through but i'm going to kick off with what I did today, which was, I am friends with one of the

main producers for the asylum.

And so shout out to Brendan for inviting me over to the asylum studio Studios today to see the making of Jurassic Reborn.

It had dinosaurs in it.

But literally, I got to sit around and talk about horror with the crew for a really long time

and specifically geek out about shark movies.

And I left with DVD copies of every Shirk movie The Asylum has made. Nice. So, yeah, it was. Wait, but so why was this about, why were you being invited? Like, I can't imagine that necessarily being a good thing to go to the asylum. No, no, no, it is definitely. Is this how they get to direct this to make their movies by saying, hey, just come and hang out and then we'll, oh, you actually shot one. You didn't even realize you were directing that. You shot one in the parking lot while you were standing here. I was intrigued because the asylum, you know, I've done my lifetime films. I've definitely, I've written hallmark, things like that. The asylum turns films

around really quickly. And they usually have multiples going at a time. And I just really wanted to

see it in action. Like I wanted to see how you manage, you know, 20 pages a day. So I had just

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